THE METAL WORKER
1980/2009, acrylic on felt canvas, 280 x 195 cm
Unique work
Instrumentality of the State Machine – The Metal Worker, painted, signed, and stamped by Laibach
This is an enlarged interpretation of the legendary black and white Laibach poster from 1980.
One of Laibach's most iconic motifs from the 1980s, originally used also as a stage backdrop in the band's early concert appearances, including the "Occupied Europe Tour" in 1983. The motif of the worker was inspired by an illustration from a Yugoslav propaganda poster from communist era.
The present painting itself was created in 2008–2009 as part of a larger installation, entitled “Instrumentality of the State Machine”, which Laibach first presented in 2009 as part of their extensive retrospective exhibition “AUSSTELLUNG! LAIBACH KUNST – RECAPITULATION”, at the Muzeum Sztuki Gallery of Modern Art in Łódź, Poland, and later as well in an exhibition in Zagreb, at Dom HDLU 2011, entitled “AUSSTELLUNG! LAIBACH KUNST – Ceci n'est pas Malevich”.
Created by members of Laibach, signed with four names (Eber, Saliger, Dachauer and Keller), and stamped with the group's emblem as well as their collective signature.
Terms and details:
Upon prior request, it is possible to view artwork live at a Laibach WTC location in Ljubljana, Slovenia. If you are interested in doing so, please write to wtc.support@laibach.org.
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Laibach first presented the motifs of the Red Districts in 1980 at the Delavski dom (Workers' Home) culture centre in Trbovlje – at an exhibition that never took place (because it was banned by the local municipal authorities). Subsequently, Laibach presented the same motifs at their first exhibitions in Belgrade (Srećna galerija, 1981), Ljubljana (ŠKUC Gallery, 1982), and Zagreb (PM Gallery, 1983).
In the following decades, the group showed various variations of the Red Districts in some of their major exhibitions. In 2009, eight motifs were printed on aluminium plates and presented at retrospectives of their visual work in Łódź (Muzeum Sztuki, 2009), Maribor (UGM, 2011), Zagreb (HDLU, 2011), as well as in Olomouc (Galerie Caesar, 2016) and some other galleries.
The original linocuts represent historical motifs from the so-called Red Districts, as the industrial basin of Slovenia in the Zasavje region is called, which encompasses the towns of Trbovlje, Zagorje, and Hrastnik, i.e. the environmental area where the band Laibach were formed in 1980. These ‘industrial’ motifs became part of the basic aesthetic content of Laibach, which never denied their industrial-cultural origins, and after the formal establishment of the broader umbrella art formation Neue Slowenische Kunst (1984–1992), these motifs were adopted and appropriated from Laibach by other NSK groups, most notably by the Irwin painting group.